Nathan Graham w/ Turn Turn Turn Band at Icehouse

ABOUT NATHAN GRAHAM

Born and raised in Chicago, Graham meshes South Side Blues with Nashville Americana, beginning his career backing blues singers at famous haunts like Buddy Guy’s Legends and Kingston Mines. He spent a decade as a guitar-for-hire before picking up a mic to tell his own stories on the stage.

Soulful and steady, Graham’s music offers a raw introspective of the human condition that’s both painful and comforting. His guitar conveys heartbreak, lyrics tell stories of regret, but his rich vocal delivery offers the remedy.

Having brought his songs on international tours with both major label and indie acts, Graham is challenging the notion of what it means to be a singer-songwriter. He's driving inclusivity within the genre, and he hopes to evoke a sense of understanding in the process.

“I’m writing about universal experiences,” he says. “I’m writing music to connect my story to yours, show you all that we have in common, and maybe help both of us feel less alone.”

**ABOUT TURN TURN TURN

**

Gritty emotion, beautiful melodies, pop-infused Americana…

Turn Turn Turn is a trio who bonded over their mutual love of close harmony 60s and 70s country, folk, and pop music and formed an original Americana band. To create their distinctive sound, the band “turns” to the distant past of early American recorded music, “turns” again to that renaissance of the 1960s and 1970s, and finally “turns” again to the present looking forward.​

Members Adam Levy (guitar, vocals), Savannah Smith (guitar, vocals) and Barb Brynstad (bass, vocals) are all mainstays of the Minnesota music scene and together craft an infectious, pop-infused Americana.

Even though Turn Turn Turn was born as a cover band, the group’s original material – sweetheart alt-country folk-pop – quickly stole the spotlight.

Turn Turn Turn’s Laurel Canyon meets 70’s-Nashville-cosmic soul vibe is layered with three-part harmonies that stitch the band’s musical tapestry together. Brynstad, Smith, and Levy have distinct voices, and the combination – a “fourth voice” – is greater than the sum of its parts.

“…the alt-twang sonic vibe evokes comparisons to ’70s Gram Parsons and Emmylou Harris, ’80s Rosanne Cash and 2010s-era Jenny Lewis.” -Star Tribune

“Gorgeous harmonies and beautiful finger-picking…” -Americana UK